Writing South Africa Now: A Colloquium, July 2nd, 2013 Faculty of English, University of Cambridge Tuesday, July 2nd 2013 Confirmed Plenary speaker: Dr Nadia Davids (Queen Mary, University of London) ‘Writing and Performing South Africa’s Past in the Present: an Exploration of… Read More ›
“Short Story Day Africa exists because we have something to tell the world. About us. In our own voices.” Now in its third year, Short Story Day Africa sets aside the shortest day (or night) of the year – this year it’s… Read More ›
Coming to the Caine Prize blog party late in terms of Pede Hollist’s ‘Foreign Aid’, I’m aware that a lot of the ground on this story has already been covered – see the end of this post for links to… Read More ›
Looking forward to chatting about all things African pulp fiction (with pulp zine Jungle Jim in the main frame from at least me) at this year’s Franschhoek Literary Festival – with Sean O’Toole, Jenna Bass (of Jungle Jim editorial fame, among a host of other fames), Stacy… Read More ›
Now available from Chimurenga [from the Shona word for “revolutionary struggle”]: the CHRONIC – a new pan-African quarterly print gazette, with supplementary books review magazine CHRONIC BOOKS – see below for a preview of Billy Kahora‘s article on the Nairobi noir. The first issue takes… Read More ›
The exhibit is centred around one Sierra Leonean mask, a ‘sowei’ mask of the all-female Sande societies, worn at ritual public celebrations and ceremonies by the societies’ high officials when masquerading as the spirit of the Sande as ndoli jowei (‘the… Read More ›
Chatting to Nancy Richards about AiW on SAfm’s Word of Mouth feature, part of the Literature show, on Sunday (03/03), I was struck once again by the significance of the generative potential of literary and intellectual networks across the continent,… Read More ›
As avid AiW readers will know, last Autumn at the African Studies Association of the UK Biennial Conference, Katie Reid and I co-convened a series of panels on ‘The “post-millennial context” and African writing in English: Writing, production and reception since… Read More ›
AiW Guest Stephanie Bosch Santana. Traces of Binyavanga Wainaina’s address, “I am a Pan-Africanist, not an Afropolitan”, delivered at September’s African Studies Association UK 2012 conference, have lingered with me over the past few months: the image of invisible digital networks of… Read More ›
Tate are currently running a two-year project on African Art and its representation, with new acquisitions of modern and contemporary African art and a related programme in Africa. “The project invites local and international audiences to engage with artists, curators and… Read More ›
AiW guest Helen Cousins. 2012 was the year of ‘legacy’ – a notion popularised, of course, by the London 2012 Olympics. Four months on from the African Studies Association UK conference, I want to reflect on my personal ‘legacy’ from… Read More ›
AiW Guest Rebecca Jones. 2012’s ASAUK conference at the University of Leeds was my first ever ASAUK conference, and I went anticipating some interesting panels on African literature, hoping to meet fellow scholars of Yoruba, and, to be honest, expecting a… Read More ›
Last Autumn we – Katie and Kate – attended the African Studies Association of the UK (ASAUK) biennial conference, where we co-convened two panels under the rubric ‘The “post-millennial context” and African writing in English: Writing, production and reception since… Read More ›
AiW Guest Stephanie Bosch Santana. The cover of Jungle Jim issue no. 16, the magazine’s “South African Sci-fi” edition, depicts Zulu warriors casting tiny, toothpick-like spears at the Goliath of an alien bearing down on them. Styled after the pulp magazines… Read More ›
AiW Guest Graham Riach. On the front cover of issue 16 of Jungle Jim,a starry sky hangs low over two Zulu tribesmen, assegais held high behind their shields. Looming towards them is a muscle-bound giant with an insectoid robotic head,… Read More ›
AiW Guest Alexander Howard. 1. As the author and editor Jenna Bass points out in the first instalment of her recent interview with Katie Reid of Africa in Words, the bi-monthly fiction magazine Jungle Jim arose out of a shared desire… Read More ›
AiW Guest Ed Charlton. As an intervention into the formal space of South African print culture, Jungle Jim is certainly daring and distinctive. If not an entirely unique mode of literary production, its pulp ’zine format is, nonetheless, a marked… Read More ›
Has having heard so much about the African pulp fiction mag Jungle Jim from its co-creator and editor, Jenna Bass (part I of our interview is here), left you wanting, wondering what might be lurking between its distinctive blue and red covers? How the… Read More ›
(Click here for part I.) This, part II of Katie’s interview with Jenna Bass at Jungle Jim, takes us further into the mag, opening up questions of genre – popular, pulp and science-fiction in Africa and South Africa – plus more on the… Read More ›
africainwords.com 