…our Authors and Guests
Follow this link for Words from our Guest Authors, who join and broaden AiW’s conversations. For more info, bios and links about each of our AiW Guests, scroll to the foot of their individual posts.
If you would like to submit a proposal for a blog piece and become one of our AiW Guests, please see and follow our info about Submissions here.
…our Editorial Team
Rebecca Jones – Rebecca Jones is a Lecturer in the Department of African Studies and Anthropology, University of Birmingham. Rebecca is currently writing a book on Yoruba- and English-language travel writing in Nigeria from the early twentieth century to the present day.
Katie Reid – Katie lectures in global literary and cultural studies, and critical theory, with an area focus in southern Africa. Katie’s DPhil research (Sussex, 2017) explored contexts of reception of post-apartheid literature through the work of Ivan Vladislavić, a writer, editor, and art-essayist, who was also Social Studies and Fiction Editor for anti-apartheid press, Ravan, and assistant editor for the groundbreaking protest magazine Staffrider in the 1980s.
Stephanie Bosch Santana is Assistant Professor of Comparative Literature at UCLA. Her work focuses on southern African literary networks and the migration/transformation of genres in the region. Stephanie lived and worked in southern Africa from 2005-2008 and is the assistant editor of ‘The Face of the Spirit: illuminating a century of essays by South African women’ (2007) and co-editor of ‘Winning Stories from the Malawian Girls’ Short Story Competition’ (2009).
Kate Wallis (Haines) – is a Lecturer in Global Literatures at the University of Exeter. Her research has explored the ways in which writing by African, namely Kenyan and Nigerian authors published since 2000, have intervened in the creation of cultural memory. She was previously Head of Humanities at Palgrave Macmillan, Associate Editor for the Kwani? Manuscript Project, and is now Editor at Huza Press.
Kristen Stern is Visiting Assistant Professor in the Department of French & Francophone Studies at Davidson College (North Carolina, USA). She is at work on a book on contemporary francophone writers from the African continent and the performance of authorship. She regularly presents and publishes on contemporary African literature in French, performance studies, and the sociology of the author. She received her Ph.D. from Boston University.
Joanna Woods is currently studying for her doctorate at Stockholm University. Her main research interest lies in African contemporary speculative fiction. She has been involved in working within the space between theory and praxis in Malawi, and has a book published: Negotiating Ideas about Home in Malawian Poetry (2015).
Rodney Likaku is employed as a doctoral researcher (PhD) in English Literature at Uppsala University, Sweden. His research is in the economic systems that govern the production of fiction in the megacities of African literature. He is curator at africanstreetliterature.blog: a research project that investigates emergent African literary forms. His wider ambition in academia is to work within alternative methodologies that supplement the reading, construction, and distribution of the African literary imagination.
Associate Editor – Reviews
Chelsea Haith is currently a DPhil candidate at the University of Oxford. She grew up in Johannesburg, South Africa and studied French, journalism, and gender studies at the University Currently Known as Rhodes and the University of Cape Town before moving to the University of York for her MA in 2017. She has worked in the South African small magazine and publishing industries and her current research interests include speculative fiction, life writing, and global literatures.
Thando Njovane is a teacher, researcher and writer interested in psychoanalysis, fiction, and higher education. She is also the founder and co-chair of Finding Africa, a cross-continental independent interdisciplinary postcolonial African Studies platform located at Rhodes University and the University of Leeds.
Tom Penfold is a Research Associate at the University of Johannesburg. His research covers a wide range of South African cultural production ranging from fiction to graffiti. In 2017, he published a monograph with Palgrave MacMillan, entitled Black Consciousness and South Africa’s National Literature. He has a longstanding interest in performance poetry and song, and has worked closely with poets and artists across South Africa.
Ellen Addis (2018- ) is studying for her Master’s at University College London in modern literature and culture. Her research is focused on marginalised class identities in the United Kingdom and the global space.
Nara Improta – Nara has a PhD in English Literature from the University of Sussex, where she studied the intellectual production in Lagos-Nigeria in the late 19th and early 20th centuries. Trained as a historian at the Universidade Federal Fluminense in Rio de Janeiro-Brazil, she also has an MA in African Studies from El Colegio de Mexico, in Mexico City. Twitter: @naraimprota
…and our previous team members
Charlotte Hastings – Dr Hastings works on the intersection between gender, education and Africa, most recently in terms of the work of a early 20C teacher in colonial Lagos. Fascinated by texts of all kinds, Igbo-learner, book junkie and Freshlyground fan. Teaches African history, gender history and interdisciplinary gender and urban studies.
David Borman (2017-2018) – received his Ph.D. from the University of Miami and teaches courses on literature and writing at Bellarmine University in Louisville, Kentucky.
(2016-17) – Tamara Moellenberg is a DPhil candidate in English at the University of Oxford. Her doctoral research examines representations of child figures in selected Anglophone West African novels. She has taught courses in postcolonial, African, and children’s literature.
(2015-16) Rashi Rohatgi has a PhD in Languages and Cultures from SOAS. Her fiction can be found in The Misty Review, her poetry in Allegro, and her academic writing in Matatu,Wasafiri, and other journals. Her recent monograph, Fighting Cane and Canon, is about World Literature in Mauritius.
(During her time with AiW…) Miriam Pahl [was] a PhD candidate and teaching assistant at SOAS in London and focuses on contemporary African literature in English. In her work, she explores the concept of the human and personhood in genre fiction by authors in Africa and the diaspora. She is at home in London, Nairobi and Bremen.
Matthew Lecznar ( -Dec 2017) is a PhD student at the University of Sussex, and a former member of the editorial team at Africa in Words. His doctoral research considers the artistic legacies of the Nigeria-Biafra war, and he is more broadly interested in the ways artists respond to conflicts in a range of different forms and media. He has published articles on the fiction and celebrity of Chimamanda Ngozi Adichie, and is an editorial assistant for Africa in Words.
Nneoma Amadi-obi ( -2017) graduated with an MA in African Studies from SOAS. Passionate about literature, she is particularly interested in narrative non-fiction and literature in translation.
(During her time as AiW’s Editorial Assistant 2014-15) Nomonde Ntsepo is pursuing her Masters in Modern and Contemporary Literature, having earned her undergraduate degree in English at the University of the Witwatersrand in Johannesburg. She is particularly interested in contemporary literatures of African migration.
(As AiW’s Events and Social Media Assistant Ed in 2014) Lilly Kroll is a graduate from the University of Sussex, where she completed a dissertation on diasporic identity and Afropolitan imaginings in the writing of Taiye Selasi. She is interested in the marketing and reception of contemporary anglophone African literature, states of in-betweenness, and West African stringed instruments. She has not yet found a way to combine these three things but is working on it.
(Editorial Assistant 2014 – at that time…) Rachel Knighton is a PhD student in the Faculty of English at the University of Cambridge. Her research looks at postcolonial African prison narratives.