As we move through the changed circumstances, timelines and spaces of now, we catch up on our monthly round-up of ‘other words’ – news on AiW’s radar, collated from across our Twitter, Facebook and Instagram. Festivals, Fairs, Salons | Readings – Books, Journals &… Read More ›
“Here are stories that are true … because they are windows that open into our contemporary African existence” (Editors’ Introduction, Limbe to Lagos, p. xi).” AiW note: Last week we published a review by Kwame Osei-Poku: A Sense of Africa… Read More ›
AiW note: Earlier this week we published Lizzy Attrees’s review of They Called You Dambudzo: A Memoir by Flora Veit-Wild (2021, Jacana Media). At the book’s centre is the double heartbeat of Veit-Wild’s relationship with the late Zimbabwean writer, Dambudzo… Read More ›
Ahead of Jacana Media’s launch of “They Called You Dambudzo: A Memoir” by Flora Veit-Wild, we are fully pleased to be able to share Mushakavanhu’s Words on the Times – an AiW Q&A series initiated as the early stages of the pandemic set in to connect us and our changing experiences of work and working.
Not only has Tinashe researched and written on Marechera extensively, and in a number of generative and connective ways and contexts, we are also delighted to be able to introduce Tinashe as a collaborator with us and member of our team here at AiW with these, his Words…
AiW Guest: Lizzy Attree. Flora Veit-Wild presents this compelling book as a memoir, and it does contain some personal details of her early life in Germany which supplement and enrich the portrayal of her love affair with the Zimbabwean writer… Read More ›
AiW note: Earlier this week we published Kwame Osei-Poku’s review of Limbe to Lagos: Nonfiction From Cameroon and Nigeria (2020, The Mantle). Compiled by Dami Ajayi, Dzekashu MacViban, and Emmanuel Iduma, Limbe to Lagos is an edited collection of non-fiction… Read More ›
AiW Guest: Kwame Osei-Poku (Ph.D.), University of Ghana. When a collection of stories succeeds in making its readers identify with and care about real issues, triggering sensations of empathy and reinforcing readers’ own reminiscences, we realise the powerful impact of… Read More ›
AiW Guest: Thulani Angoma-Mzini There is a silence, or perhaps a deafness, that the lay man (and particularly the cis-gendered heterosexual man) indulges in when it comes to bodies gendered differently to theirs. The collection of essays titled Living While… Read More ›
It has been a lit first month of 2021! As we move through the changed circumstances, timelines and spaces of now, we catch up on our monthly round-up of ‘other words’ we haven’t had out already on the site –… Read More ›
AiW note: To celebrate the past thirty years of independent distributing and bookselling at African Books Collective (ABC), we are running a series highlighting the wonderful work of those who make up ABC. We will be talking to some of… Read More ›
AiW note: This week, we bring you two reviews of Billy Kahora’s short story collection, The Cape Cod Bicycle Wars and Other Stories – originally published by Huza Press (Kigali) in 2019 and made available in the US with Ohio University Press in… Read More ›
AiW Guest: Ofonime Inyang. AiW note: This week, we bring you two reviews of Billy Kahora’s short story collection, The Cape Cod Bicycle Wars and Other Stories – originally published by Huza Press (Kigali) in 2019 and made available in the US… Read More ›
AiW note: To celebrate the past thirty years of independent distributing and bookselling at African Books Collective (ABC), we are running a series highlighting the wonderful work of those who make up ABC. We will be talking to some of… Read More ›
AiW Guest: Rashi Rohatgi. We’ve been a fan of Akwaeke Emezi’s writing since the pre-launch of their debut, Freshwater, at Africa Writes 2018; after that luminous novel and its YA successor, Pet, Emezi is back with what is perhaps 2020’s… Read More ›
AiW note: To celebrate the past thirty years of independent distributing and bookselling at African Books Collective (ABC), we are running a series highlighting the wonderful work of those who make up ABC. We will be talking to some of… Read More ›
Happy New Year! After a short break, we move through the changed circumstances, timelines and spaces of now, and catch up on our monthly round-up of ‘other words’ from the end of 2020 – news on AiW’s radar, collated from… Read More ›
After a difficult year for everyone, the holiday time is looking harder than before. A time to normally spend with family and relaxation has become one of stress and uncertainty. However, we hope that the holidays can still be a… Read More ›
AiW note: To celebrate the past thirty years of independent distributing and bookselling at African Books Collective (ABC), we are running a series highlighting the wonderful work of those who make up ABC. We will be talking to some of… Read More ›
Sepuya’s portrait photography, described by the artist as ‘queer modernism’, disrupts the conventions of traditional studio portraiture, to become a site of homoerotic social relations: a space where the roles of artist and subject are constructed and contested. The book exposes Sepuya’s play with artifice and performance as it outlines the development of his visual practice, cataloguing how he uses his own body, and those of his intimate circle of friends and lovers, in ways which challenge notions of power and authorship. Deeply connected with the written word, he found in texts and literature a way to make sense of this ‘gap of language between desired object and desiring subject’ (p.14), the very gap in which his practice is located.
AiW note: To celebrate the past thirty years of independent distributing and bookselling at African Books Collective (ABC), we are running a series highlighting the wonderful work of those who make up ABC. We will be talking to some of… Read More ›
