AiW note: To celebrate the past thirty years of independent publishing at African Books Collective (ABC), we are running a series highlighting the wonderful work of those who make up ABC. We will be talking to some of the publishers… Read More ›
Today we have the pleasure of sharing our final post in the Words on the Times, Outriders Africa series with Nigerian writer Emmanuel Iduma, with an excerpt from his travelogue A Stranger’s Pose. Iduma was born in Akure, Nigeria and… Read More ›
AiW Guest: Maëline Le Lay. Initially published by Akashic Books, the New York publisher of Kenyan novelist and journalist Peter Kimani (author of the highly regarded Dance of the Jakaranda), this collection of short stories complements the rich collection of “noir”… Read More ›
AiW note: Justin Cox is the CEO of African Books Collective (ABC). ABC is an African owned, worldwide marketing and distribution outlet publishing books from Africa. It began trading in 1989 as a self-help initiative by a group of seventeen… Read More ›
Today, we have the pleasure of sharing a Words on the Times, Outriders Africa with Kenyan writer Wanjiru Koinange, with an excerpt from her novel The Havoc of Choice. Wanjiru was raised on a farm on the outskirts of Nairobi,… Read More ›
As we move through the changed circumstances, timelines and spaces of now, we catch up on our monthly round-up of ‘other words’ – news on AiW’s radar, collated from across our social media… News Click to jump to: Festivals, Fairs,… Read More ›
AiW Guest: Tikondwe Kaphagawani Chimkowola. Romeo Oriogun’s Sacrament of Bodies (2020) opens with a quote from Kazim Ali that mourns, “in one place everyone looks like me – has my name – I am the most foreign”. This longing for… Read More ›
AiW note: Ukamaka Olisakwe’s Ogadinma Or, Everything Will Be All Right was released with Indigo Press in September and from Masobe Books on the 27th October this year – marking itself as a “feminist classic in the making” (Indigo). Here, Uchechukwu… Read More ›
AiW note: Posts over 5 days this week, have introduced the epic endeavour of the Keiskamma COVID-19 Resilience Tapestry being made by the Keiskamma Art Project in the rural hamlet of Hamburg, South Africa, through the place, the people –… Read More ›
AiW note: This week, we have been following and introducing the stories behind the Keiskamma COVID-19 Resilience Tapestry, an epic, ambitious response to the pandemic made by the Keiskamma Art Project in the rural hamlet of Hamburg, South Africa. As… Read More ›
AiW note: Yesterday, as part of our Keiskamma COVID-19 Resilience Tapestry series, we introduced four artists from Keiskamma, leading on from Monday’s introduction to the work, which is currently underway. Today, in the second of our “meetings” posts with the… Read More ›
AiW note: Our posts, running over 5 days this week, introduce the Keiskamma COVID-19 Resilience Tapestry through the place, the people – its makers – and their history. The ambitious tapestry, responding to the pandemic, is being made by the… Read More ›
AiW note: The Keiskamma Art Project, in the rural hamlet of Hamburg, South Africa, is embarking on an ambitious tapestry in response to the COVID-19 pandemic. The next five posts will introduce the Keiskamma COVID-19 Resilience Tapestry through the place,… Read More ›
Today, we are delighted to share a Words on the Times, Outriders Africa with Donna Obaseki-Ogunnaike – an Energy Law expert, speaker, humanivist ©, poet, writer and theatre practitioner, previously dubbed the ‘queen of spoken word poetry in Nigeria’ –… Read More ›
In 2019, Mangaliso Buzani’s A Naked Bone won the African Poetry Book Fund’s Glenna Luschei Prize for African Poetry. In a subsequent interview published in Africa in Dialogue, Buzani recalls how, upon hearing the news, he quicky phoned fellow poet and New Brighton resident, Mxolisi Nyezwa. This phone call is one that is particularly apt because when you read A Naked Bone there is, hidden within Buzani’s remarkable and dreamlike poetry, a touch of Nyezwa. There is a fragile sort of beauty that poignantly captures a deeply personal suffering.
AiW note: Outriders Africa, a project announced at the Edinburgh International Book Festival in 2019, builds on the existing ambitious Outriders concept, exploring “the idea that in shifting, disorienting times, a writer can make a unique contribution to our understanding… Read More ›
AiW Guest: Thulani Angoma-Mzini. In The Border Jumper (2019), Christopher Mlalazi upends the “Jim comes to Joburg” trope about the trafficking of rural dreams in a big city. Mlalazi has created a grimy, high-speed chase, shoot-‘em-up style novel written with… Read More ›
As we move through the changed circumstances, timelines and spaces of now, we catch up on our monthly round-up of ‘other words’ – news on AiW’s radar, collated from across our Twitter, Facebook and Instagram. Please be in touch with any other ways and… Read More ›
South African novelist Vladislavić delivers a moving, closely observed study in family dynamics in a time of apartheid…Vladislavić’s tale unfolds with grace and precision. A memorable, beautifully written story of love and loss. — Kirkus, Starred Review Ivan Vladislavić’s latest… Read More ›
AiW Guest: Joseph Oduro-Frimpong. AiW note: With his review of Wole Soyinka’s book, Beyond Aesthetics: Use, Abuse, and Dissonance in African Art Traditions – “an intimate reflection on culture and tradition, creativity and power, that draws on a lifetime’s commitment to… Read More ›
