Event: Life Through Extraordinary Mirrors, October Gallery (Closes 23 November)

Life Through Extraordinary Mirrors
Contemporary Art Exhibition
At October Gallery, London
Until 23 November 2019

Life Through Extraordinary Mirrors is an exhibition of contemporary art exploring the globalized twenty-first century. The exhibition includes the work of some of Africa’s foremost contemporary artists: Romuald Hazoumè, Eddy Kamuanga Ilunga, Cyrus Kabiru, Zak Ové, Alexis Peskine, LR Vandy, and Cosmo Whyte.


Cosmo WhyteNkisi,
Image courtesy of Oct.Gallery

Life Through Extraordinary Mirrors: Artists

Romuald Hazoumè (Porto-Novo, Benin) is a recipient of the prestigious Arnold Bode Prize at documenta 12. The artist’s astute and sardonically political oeuvre is realised in a diverse range of media. Hazoumè undertakes monumental installations that act as metaphors of African place, history and identity.

Eddy Kamuanga Ilunga(Kinshasa, Democratic Republic of Congo) explores the seismic shifts in the economic, political and social identity of the DRC that have taken place since colonialism. His large-scale figurative compositions possess a depth of historical understanding, with a striking and sophisticated interplay of the intensity of space juxtaposed with emptiness.

Cyrus Kabiru (Nairobi, Kenya) is best known for his intricate, handmade eye-wear sculptures created from found materials and their accompanying self-portrait photographs. In Kabiru’s photographs, it is always the artist himself, wearing his ‘C-stunner’ creations, as if continuing his observation of everyday life from an extraordinary position.

Zak Ové’s (London, of Trinidadian descent) practice includes sculpture, film and photography. His work is informed in part by the history and lore carried through the African diaspora to the Caribbean, Britain and beyond. Ové’s artworks explore the interplay between old world mythology and what he posits as ‘potential futures’, a space where he reinterprets existence into the fantastical.

Alexis Peskine’s (France of Afro-Brazilian/Russian descent) signature works are large-scale mixed media ‘portraits’ of the African diaspora, which are rendered by hammering gold leafed nails of different gauge, with pin-point accuracy, into stained wood. Peskine depicts figures that portray strength and perseverance, with energy startlingly reminiscent of the Minkisi “power figures” of the Congo Basin.

LR Vandy (England, of Nigerian/Irish descent) brings together both found and made objects in her sculptures in order to create new meaning. Vandy transforms model boat hulls into ‘masks’, animating them with various materials, including fishing floats, porcupine quills and acupuncture needles. The hulls allude to the transportation of migrants as commodities.

Cosmo Whyte’s (St. Andrew, Jamaica) work is defined by how the 21st century migrant can reconcile with a colonial past whilst shedding the burdens of nationalism and origin. Whyte employs photographs, drawings and sculpture to explore how notions of identity are disrupted by migration, as an unfinished arc of motion whose final resting point remains an open-ended question.

The exhibition at October Gallery, in London, is open until 23 November 2019.

October Gallery,
24 Old Gloucester Street,
Bloomsbury, London

Founded in 1979, October Gallery, in central London, exhibits innovative, contemporary art from around the world. 

Find out more information here: http://www.octobergallery.co.uk/exhibitions/2019lif/

Follow October Gallery on Twitter @OctoberLondon





Categories: Announcements, News, & Upcoming

Tags: , , , , , , , , , , ,

join the discussion:

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: