AiW note: Posts over 5 days this week, have introduced the epic endeavour of the Keiskamma COVID-19 Resilience Tapestry being made by the Keiskamma Art Project in the rural hamlet of Hamburg, South Africa, through the place, the people –… Read More ›
AiW note: This week, we have been following and introducing the stories behind the Keiskamma COVID-19 Resilience Tapestry, an epic, ambitious response to the pandemic made by the Keiskamma Art Project in the rural hamlet of Hamburg, South Africa. As… Read More ›
AiW note: Yesterday, as part of our Keiskamma COVID-19 Resilience Tapestry series, we introduced four artists from Keiskamma, leading on from Monday’s introduction to the work, which is currently underway. Today, in the second of our “meetings” posts with the… Read More ›
AiW note: Our posts, running over 5 days this week, introduce the Keiskamma COVID-19 Resilience Tapestry through the place, the people – its makers – and their history. The ambitious tapestry, responding to the pandemic, is being made by the… Read More ›
AiW note: The Keiskamma Art Project, in the rural hamlet of Hamburg, South Africa, is embarking on an ambitious tapestry in response to the COVID-19 pandemic. The next five posts will introduce the Keiskamma COVID-19 Resilience Tapestry through the place,… Read More ›
Today, we are delighted to share a Words on the Times, Outriders Africa with Donna Obaseki-Ogunnaike – an Energy Law expert, speaker, humanivist ©, poet, writer and theatre practitioner, previously dubbed the ‘queen of spoken word poetry in Nigeria’ –… Read More ›
In 2019, Mangaliso Buzani’s A Naked Bone won the African Poetry Book Fund’s Glenna Luschei Prize for African Poetry. In a subsequent interview published in Africa in Dialogue, Buzani recalls how, upon hearing the news, he quicky phoned fellow poet and New Brighton resident, Mxolisi Nyezwa. This phone call is one that is particularly apt because when you read A Naked Bone there is, hidden within Buzani’s remarkable and dreamlike poetry, a touch of Nyezwa. There is a fragile sort of beauty that poignantly captures a deeply personal suffering.
AiW note: Outriders Africa, a project announced at the Edinburgh International Book Festival in 2019, builds on the existing ambitious Outriders concept, exploring “the idea that in shifting, disorienting times, a writer can make a unique contribution to our understanding… Read More ›
AiW Guest: Thulani Angoma-Mzini. In The Border Jumper (2019), Christopher Mlalazi upends the “Jim comes to Joburg” trope about the trafficking of rural dreams in a big city. Mlalazi has created a grimy, high-speed chase, shoot-‘em-up style novel written with… Read More ›
As we move through the changed circumstances, timelines and spaces of now, we catch up on our monthly round-up of ‘other words’ – news on AiW’s radar, collated from across our Twitter, Facebook and Instagram. Please be in touch with any other ways and… Read More ›
South African novelist Vladislavić delivers a moving, closely observed study in family dynamics in a time of apartheid…Vladislavić’s tale unfolds with grace and precision. A memorable, beautifully written story of love and loss. — Kirkus, Starred Review Ivan Vladislavić’s latest… Read More ›
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