AiW Guest: Uchechukwu Peter Umezurike AiW note: Ukamaka Olisakwe’s Ogadinma Or, Everything Will Be All Right was released with Indigo Press in September and from Masobe Books on the 27th October this year – marking itself as a “feminist classic in… Read More ›
AiW Guest: Uchechukwu Peter Umezurike. Juliana Makuchi Nfah-Abbenyi is Distinguished Professor of English and Comparative Literature in the Department of English at North Carolina State University. She teaches graduate and undergraduate courses in African literature, postcolonial literary and cultural studies,… Read More ›
AiW Guest: Anna Adima. The post-independence period in Kenya and Uganda is renowned for its burgeoning literature production. Uganda was the hub for these literary creativities in the 1960s, largely thanks to the English Department at Makerere University in Kampala,… Read More ›
In Search of our Shrines: Feminist Healing and the Politics of Love African Feminisms (Afems) 27-29 August 2020 University of Cape Town The fourth edition of the African Feminisms (Afems) conference will be hosted from 27th – 29th August 2020… Read More ›
‘Towards the African Renaissance’ The Global Pan-African Conference (G-PAC) The Gambia 25 – 26 May 2020. We are delighted to share this call for papers for the inaugural Gambia-based Global Pan-African Conference 2020, which commemorates the 120th anniversary of the… Read More ›
We are delighted to share information about this exhibition: Sokari Douglas Camp’s work in welded steel is on show at Petronilla Silver in London. The sculptor Sokari Douglas Camp (CBE) works primarily in steel. Her subjects are rooted in Nigeria,… Read More ›
1-54 London returns! 7th edition at Somerset House 03 – 06 October 2019. Founded by Touria El Glaoui in 2013, 1-54 is the first leading international art fair dedicated to contemporary art from Africa and its diaspora with annual editions… Read More ›
African Feminisms (Afems) 2019 Theorising from the Epicentres of our Agency Wits University 5-7 September 2019 The third edition of the African Feminisms (Afems) conference will happen from the 5-7 September 2019 at Wits University in Johannesburg, South Africa, in… Read More ›
The first Webinar (online seminar) of the Governance for Development in Africa Webinar Series will premiere on the 19th of February 2019 at 5pm GMT. The Mo Ibrahim Foundation, the Centre of African Studies at SOAS and SOAS Radio are delighted… Read More ›
(Re)membering Africa: Women’s Narratives on the Continent and Beyond Workshop: March 28 – 30, 2019 University of Houston In his book, Re-membering Africa, Ngugi Wa Thiong’o states that “the history of Africa has not simply been one of deprivation, dispossession… Read More ›
We are delighted to announce that the African Writers Conference this year will take place in the International Conference Centre, in Abuja, Nigeria, on 01 December. The theme of the 2018 African Writers Conference is: Re-imagining African Literature: New Voices, New… Read More ›
‘Black Women/Superheroes’ Special Issue: Transition Magazine According to Kimberlé Crenshaw intersectionality theory draws attention to Black women’s experiences of intertwined structures of power and oppression, including racism, misogyny, classism, heterosexism, discrimination based on immigration status, ableism, transmisogyny. That said, Black… Read More ›
Chinyere G. Okafor has been a significant force and voice in Interdisciplinary Studies through the intersection of the following: African Literature and Theatre, Women, Gender & Feminism, Anthopology and Traditional Drama. Her scholarship engages African, European, North American and the… Read More ›
We are delighted to announce this international conference (African Literature and the Press) which will inaugurate the Afrophonie week at the Université Paul-Valéry Montpellier 3. The conference programme can be found here: https://africanreadingcultures.blogs.ilrt.org/fr/programme This conference is part of a larger project on ‘Popular print… Read More ›
Image caption: Taiye Idahor, Imuetiyan (2017), photo paper collage, pen drawing and colour pencil on paper, 112 x 80 cm We are delighted to announce that Tyburn Gallery in London is presenting Òkhùo, a solo exhibition by Taiye Idahor. Òkhùo, Taiye… Read More ›
For me ‘The Supreme Price’ reflects a conflict many working with questions of gender and politics in history will recognise. How to measure the significance of women who attain power through men (husbands, fathers, sons)? How important is it to distinguish between women as figureheads… Read More ›
Marjorie Keniston McIntosh’s new(ish) book, Yoruba Women, Work and Social Change’ has been on my shelf to read for longer than it should have been. McIntosh’s introduction promises a study ‘of adaptability and syncretism, not of simple continuity or abrupt… Read More ›
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