With AiW Guests: Dolla Sapeta and Madoda Honi. AiW note: A few weeks ago, Africa in Words published the first of our pioneering posts promoting the work of the New Brighton Art School. We sat down with Dolla Sapeta, its founder, to… Read More ›
South African art
Q&A: The New Brighton Art School – Khaya Gqomo
With AiW Guests: Dolla Sapeta and Khaya Gqomo. A few weeks ago, Africa in Words published the first of our pioneering posts promoting the work of the New Brighton Art School. We sat down with Dolla Sapeta, its founder, to… Read More ›
The New Brighton Art School
AiW note: Last year, Africa in Words published a fascinating Words on the Times feature with the South African artist and poet, Dolla Sapeta. During his responses Dolla spoke of his vision of “bringing to life an art school in… Read More ›
Creative Times & Living Testimonies (3): “Changing everything” – Keiskamma artists on life, work, and the COVID-19 Tapestry of Resilience
AiW note: This week, we have been following and introducing the stories behind the Keiskamma COVID-19 Resilience Tapestry, an epic, ambitious response to the pandemic made by the Keiskamma Art Project in the rural hamlet of Hamburg, South Africa. As… Read More ›
Creative Times & Living Testimonies (2): “Connections are Strength” – Keiskamma artists on the COVID-19 Tapestry of Resilience
AiW note: Yesterday, as part of our Keiskamma COVID-19 Resilience Tapestry series, we introduced four artists from Keiskamma, leading on from Monday’s introduction to the work, which is currently underway. Today, in the second of our “meetings” posts with the… Read More ›
Creative Times & Living testimonies (1): Keiskamma artists on life and work, and the COVID-19 Tapestry of Resilience
AiW note: Our posts, running over 5 days this week, introduce the Keiskamma COVID-19 Resilience Tapestry through the place, the people – its makers – and their history. The ambitious tapestry, responding to the pandemic, is being made by the… Read More ›
Creative Times & A Season of Regeneration: Keiskamma Art Project’s Tapestry of Resilience – A Preface
AiW note: The Keiskamma Art Project, in the rural hamlet of Hamburg, South Africa, is embarking on an ambitious tapestry in response to the COVID-19 pandemic. The next five posts will introduce the Keiskamma COVID-19 Resilience Tapestry through the place,… Read More ›
Exhibition preview: Lady Skollie’s “Lust Politics” — at London’s Tyburn Gallery until 4 March
AiW Guest: Sana Goyal Whet your appetite in advance of your visit to Lady Skollie’s Lust Politics at London’s Tyburn Gallery, where the South African artist serves up a platter of playful, pleasurable, and provocative fruits that are likely to… Read More ›
CfP: The Verbal Text & National Literary Historiography, 10-12 November 2016, London, Deadline 01 April 2016
The Verbal Text & National Literary Historiography An Interdisciplinary Conference 10-12 November 2016 Queen Mary University of London Call for Papers Deadline for proposals: 1 April 2016 Sustained attention to the place of the verbal text in national literary historiographies… Read More ›
CfP: Writing South Africa Now: a Colloquium, 16th-17th June 2016, Deadline 04 March 2016
Writing South Africa Now: a Colloquium, 16th-17th June, 2016 Call for Papers: Writing the South African City Deadline: 4th March, 2016 Hosted by LSE Cities, London School of Economics, in collaboration with the Faculty of English, University of Cambridge In… Read More ›
Event: Women and HIV/AIDS in South Africa: Medicine, Art, Activism, 7-8 December 2015, London
7-8 December 2015 Keynes Library (43 Gordon Square), Birkbeck, University of London, School of Arts The crisis of HIV/AIDS in South Africa is clearly not over. Women and children are bearing the brunt. Our symposium draws attention to the particular… Read More ›
Marlene Dumas at the Tate Modern
Marlene Dumas: The Image as Burden Tate Modern, London 5 February – 10 May 2015 Marlene Dumas is one of the most prominent painters working today. Her intense, psychologically charged works explore themes of sexuality, love, death and shame, while… Read More ›
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