AiW Guest: Uchechukwu Peter Umezurike. In another of the in-depth conversations offered to us from AiW guest and friend Uchechukwu Peter Umezurike, Chielozona Eze discusses his work in ethics and literary study — particularly in relation to the uses to… Read More ›
AiW Guest: Uchechukwu Peter Umezurike. Juliana Makuchi Nfah-Abbenyi is Distinguished Professor of English and Comparative Literature in the Department of English at North Carolina State University. She teaches graduate and undergraduate courses in African literature, postcolonial literary and cultural studies,… Read More ›
We are delighted to share the following information about this great event next week! Books & Rhymes in partnership with the Centre for African Studies at SOAS are excited to invite you to an event titled: “Bọ́lẹ̀kájà to Bọ́lẹ̀kásọ̀rọ̀”: Why I’m… Read More ›
‘Black Women/Superheroes’ Special Issue: Transition Magazine According to Kimberlé Crenshaw intersectionality theory draws attention to Black women’s experiences of intertwined structures of power and oppression, including racism, misogyny, classism, heterosexism, discrimination based on immigration status, ableism, transmisogyny. That said, Black… Read More ›
We are pleased to share the Call for Papers and Panels for a two-day Conference on ‘Racialisation and Publicness in Africa and the African Diaspora’ which will be held at the University of Oxford, from 27-28 June, 2019. From the… Read More ›
AiW Guest: Oyedepo Olukotun It is interesting to observe that a number of the 2017 summer exhibitions in London, UK, have coalesced around the storyline of Blackness. On the forefront with this storyline is Tate Modern’s Soul of a Nation:… Read More ›
AiW Guest: Margaret Amaka Ohia AiW Guest Katarzyna Kubin continues her series examining the relationship between Africa and Eastern/Central Europe, with this guest piece by Margaret Amaka Ohia. My studies of discursive representations of Black people in the Polish language employ a critical, applied research… Read More ›
AiW Guest Katarzyna Kubin The National Theatre’s production of Lorraine Hansberry’s play, Les Blancs, directed by Yaël Farber, involved phenomenal use of sound, music and lighting, live fire on stage, and a nuanced mastery of the smallest details: from the… Read More ›
15 – 22 January 2016, Goethe Institute Nairobi Who I Am, Who We Are is an art project which examines the idea of Kenyan nationhood and how this is embodied through our sense of identity and our everyday interactions. The project… Read More ›
There’s been an debate going in the pages of Africa Spectrum which we thought might be of interest to some of our readers (hat tip to Stephanie Newell for bringing this to our attention). In 2012, Cape Town-based anthropologist Francis… Read More ›
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