Catching up on our monthly round-up of ‘other words’ – news on AiW’s radar, collated from across our Twitter, Facebook and Instagram. We have also continued our separate “Calls for” post in our “Other Words” this month, rounding up opportunities… Read More ›
AiW Guest: Clive Allanso. AiW note: Anticipating the final panel in the “Building Bridges through Contemporary Arts“ (BBTCA) series – “Responsible Solutions to New Obstacles” (June 30th, 2pm BST) – Clive Allanso summarises the conversations and debates of the previous… Read More ›
AiW note: Art And About Africa is a free platform that allows its users to discover artists and art spaces in the vibrant African art scene on the continent, facilitating where to go, what to see, and who to engage… Read More ›
The Building Bridges through Contemporary Arts Online Panel Discussions Series is part of a University of Brighton initiative that facilitates a contemporary art-based dialogue between key stakeholders from Africa and Europe. Based on participants’ personal and professional local and global… Read More ›
With AiW Guests: Dolla Sapeta and Khaya Gqomo. A few weeks ago, Africa in Words published the first of our pioneering posts promoting the work of the New Brighton Art School. We sat down with Dolla Sapeta, its founder, to… Read More ›
AiW note: Last year, Africa in Words published a fascinating Words on the Times feature with the South African artist and poet, Dolla Sapeta. During his responses Dolla spoke of his vision of “bringing to life an art school in… Read More ›
As we move through the changed circumstances, timelines and spaces of now, we catch up on our monthly round-up of ‘other words’ – news on AiW’s radar, collated from across our Twitter, Facebook and Instagram. Festivals, Fairs, Salons | Readings – Books, Journals &… Read More ›
It has been a lit first month of 2021! As we move through the changed circumstances, timelines and spaces of now, we catch up on our monthly round-up of ‘other words’ we haven’t had out already on the site –… Read More ›
Happy New Year! After a short break, we move through the changed circumstances, timelines and spaces of now, and catch up on our monthly round-up of ‘other words’ from the end of 2020 – news on AiW’s radar, collated from… Read More ›
Sepuya’s portrait photography, described by the artist as ‘queer modernism’, disrupts the conventions of traditional studio portraiture, to become a site of homoerotic social relations: a space where the roles of artist and subject are constructed and contested. The book exposes Sepuya’s play with artifice and performance as it outlines the development of his visual practice, cataloguing how he uses his own body, and those of his intimate circle of friends and lovers, in ways which challenge notions of power and authorship. Deeply connected with the written word, he found in texts and literature a way to make sense of this ‘gap of language between desired object and desiring subject’ (p.14), the very gap in which his practice is located.
AiW note: Posts over 5 days this week, have introduced the epic endeavour of the Keiskamma COVID-19 Resilience Tapestry being made by the Keiskamma Art Project in the rural hamlet of Hamburg, South Africa, through the place, the people –… Read More ›
AiW note: This week, we have been following and introducing the stories behind the Keiskamma COVID-19 Resilience Tapestry, an epic, ambitious response to the pandemic made by the Keiskamma Art Project in the rural hamlet of Hamburg, South Africa. As… Read More ›
AiW note: Yesterday, as part of our Keiskamma COVID-19 Resilience Tapestry series, we introduced four artists from Keiskamma, leading on from Monday’s introduction to the work, which is currently underway. Today, in the second of our “meetings” posts with the… Read More ›
AiW note: Our posts, running over 5 days this week, introduce the Keiskamma COVID-19 Resilience Tapestry through the place, the people – its makers – and their history. The ambitious tapestry, responding to the pandemic, is being made by the… Read More ›
AiW note: The Keiskamma Art Project, in the rural hamlet of Hamburg, South Africa, is embarking on an ambitious tapestry in response to the COVID-19 pandemic. The next five posts will introduce the Keiskamma COVID-19 Resilience Tapestry through the place,… Read More ›
AiW Guest: Joseph Oduro-Frimpong. AiW note: With his review of Wole Soyinka’s book, Beyond Aesthetics: Use, Abuse, and Dissonance in African Art Traditions – “an intimate reflection on culture and tradition, creativity and power, that draws on a lifetime’s commitment to… Read More ›
Literary blog and archiving platform Brittle Paper turns 10 this year! Happy birthday BP! This month we take up their invitation to join their celebrations in their #DecadeProject with a post marking the last ten years as a significant decade… Read More ›
Peter Adjaye is a contemporary conceptual sound artist, specialising in cross disciplinary collaborations. He is a musicologist, composer, DJ-producer and musician. His unique set of skills and vast experience have enabled him to work closely with his brother, the award-winning… Read More ›
Mxolisi Dolla Sapeta is perhaps best known for his work as an artist and sculptor. In 2019, he made his literary debut with his first collection of poems, Skeptical Erections, published by Deep South. Reading Skeptical Erections makes it quickly… Read More ›
As we move through the changed circumstances, timelines and spaces of now, we catch up on our monthly round-up of ‘other words’ – news on AiW’s radar, collated from across our Twitter, Facebook and Instagram. Please be in touch with… Read More ›
