Cultural Compounds – Conference 1 19 November 2016, SOAS, London ‘WHAT IS THIS [NEW] “BLACK” IN BLACK POPULAR CULTURE?’ Stuart Hall, Social Justice (1993) We take as our starting point, the title of Stuart Hall’s essay, ‘What Is This “Black”… Read More ›
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Review: Binders Full of Story-telling Women – Pede Hollist’s ‘So the Path Does Not Die’
By AiW Guest Rashi Rohatgi. So the Path Does Not Die (Jacaranda Press, 2014), the African Literature Association’s Book of the Year by Caine Prize 2013 shortlisted author Pede Hollist, promises to be an ‘issues’ book: its protagonist, Finaba, loses her… Read More ›
Review: Reneilwe Malatji’s ‘Love Interrupted’ (Modjaji, 2012)
Reading Reneilwe Malatji’s Love Interrupted in the build up to women’s month in South Africa this August places the text’s significance in particular focus. Marie Claire’s #MCInHer Shoes campaign against gender based violence put male celebrities in high heels in… Read More ›
Bayan Layi : Blogging the Caine Prize
I just talk without direction, like the harmattan wind that just blows and blows, scattering dust. Me, I just like to say it as I remember it. And sometimes you have to explain the story. Sometimes the explanation lies… Read More ›
Blogging the Caine Prize: Tope Folarin’s ‘Miracle’
There were moments in Tope Folarin’s ‘Miracle’ where I found myself part of a sweaty crowd in a packed church, as the pastor says ‘let us pray’, the ‘tinny Nigerian gospel music’ rings out, and prayer commences with ‘sweating and… Read More ›